Every time I come to Florence I get fixated on the paintings and frescoes of Annunciation . Just when I think I have snapped every depiction of Mary and Angel Gabriel, a new one appears. Yesterday, it was at the Academia. Most of us go there to see Michelangelo’s David, but I also love to climb to the first floor to absorb the paintings of the Florentine School 1370-1430, which include Late Gothic and Early Renaissance works. Most have been restored to the vibrant colors that were a landmark of the shops (bottega) where the artists and apprentices worked to create these magnificent altar pieces.
Wealthy patrons made sure that their own portrait joined the adoration of the magi or was present somewhere in the picture, tympanum, or predella. They were eager to do what they could do gain a place in heaven and to gain favor with the powerful in the city.
Wealthy patrons made sure that their own portrait joined the adoration of the magi or was present somewhere in the picture, tympanum, or predella. They were eager to do what they could do gain a place in heaven and to gain favor with the powerful in the city.