​It is three days after Christmas, and in some ways I feel the holiday is over. Since we spent the holidays our daughter’s, we did nothing to decorate our house; consequently we have no decorations to put away.
    If I were still in Florence, however, I would know that Christmas continues until Epiphany on January 6th. I would know because every evening I would walk along the Arno and watch “Firenze Light Festival: F-Light Your Mind.” I would continue to be in awe of the lights, colors and patterns flashed on the Ponte Vecchio. I would know, and I would be a peace as a solitary traveler. 

​Two weeks from today I will be settled into my beloved Florence for two weeks as a solitary traveler. I will have arrived on Saturday Dec. 1st; on Sunday I will have visited the Bardini Museum. “Why the Bardini?” you ask. Because, unlike all the famous museums in Florence,  it won’t have a long entrance line on this first Sunday of the month when throughout Italy all museums offer free admission. The Bardini, a secret gem of a museum housing the eclectic collection of antiquarian collector Stefano Bardini ((1854-1922), will not be crowded.
     This will be the third December in a row that I’ve visited Florence, so I know what to expect. The city is festive, active, full of positive energy. Craft, antique, and food fairs fill every church piazza. On December 8th, the Day of the Immaculate Conception, the tree in front of the Duomo is lit.
    As a solitary traveler I never feel lonely during this Christmas season in Florence. I smile as I pass families and friends on the streets. I have left mine at home and will be returning to them. But for now, I cherish being my own companion.  

 ​      Along the street we are less apt to observe the sculptor working his craft. Her supplies are cumbersome and complicated, so she works behind closed doors until the final product is recognized and displayed in public—perhaps in a temporary exhibit by Koenig in the Boboli Gardens, or permanently along the Arno. 

​ The process of the architect is more mysterious and less visible until we see the final product arise before out eyes. Can you imagine being a citizen of Florence while Brunelleschi was dome grew before your eyes? 

    Whether conscious of God or not, I believe these artists are creating for something beyond themselves, for some beauty or truth that transcends their personal, intiment desires. 

​At 8:30 this morning I started the 463 step climb to the top of the Duomo. I wonder how many times I’ve done this? 20? I’d like to say that I’ve climbed every time I’ve come to Florence, but that’s not true. There was a time when I only gazed at my most favorite building in the entire world from the street because I was afraid of heights.
       It was in the late 1980s and I was traveling with my mom. She was about the age I am now but she never considered climbing with me, so off I went by myself, up the interior stone steps, and clinging to the side as I walked the arcade of drum under Vasari’s frescoes. When I got to the top I continued to hug the inside of the lantern as I made one quick navigation around before starting my descent, getting out of there as fast as I dared.  
     During my next visit to Florence, again with my mom, I didn’t  even consider such a climbing venture.
     But then, a few years later, this time traveling alone, I arrived in Florence determined to conquer this acrophobia. I had done a little work on past lives and had the sense that when Brunelleschi was directing the building of the dome, I, a young messenger boy, had fallen off a scaffold and been killed. The part of being killed is up for question because the records show that only one person died while working on the construction, and that was a grown man. I’m not advocating for or against past life theory, but this exercise helped me overcome my fear of heights and sent me climbing to the top to lean against the outside railing and locate the many spots in Florence that I love so much. I’ve been doing it again and again. 

​​     In the afternoon I walked to the Bardini Gardens overlooking Florence to view from afar the pinnacle of my morning climb.

     ​In less than two weeks (9/4)  I fly to Florence. A 4:55 P.M. flight, with a short change over in Paris, gets me to Florence airport at 10:30. A half hour bus ride from the airport to Santa Maria Novella train station, a short walk to my apartment, and I’ll be off to Piazza della Signoria for pizza. A morning arrival gives me an extra meal, and as they say, ‘You can’t get a bad meal in Italy.’
     Autumn, along with spring, and December are my favorite times to be in Florence. What I’m saying is that all times are favorites, although I notice that today’s summer temperature in the city is 93 degrees. Summer in Florence is too hot and too crowded.
      When I arrive, I will feel a sense of fall: the evenings will be cool and many tourists will have departed. However, summer clothes will still be in order, and the junior year abroad students will be arriving.
      But I know how to work around any obstacles that might get in my way. I’ll walk across the Ponte Vecchio in the early morning when only runners and delivery people are in the streets and before the hot sun beats down. I know of out-of-the-way parks to sit in. I’ll avoid entry lines to the Uffizi by flashing my Amici degli Uffizi card. I know off the beaten track restaurants and how to avoid crowds by eating on the early side.
     I love anticipating a trip, but it isn’t even half as good as the real thing. 

     When I go to Florence I walk around with God. Oh, I do other things: I write, visit museums, and of course, I eat. There are plenty of cafes and parks for writing, museums at every corner, and restaurants sprinkled throughout the city. And of course there are churches. Since I travel alone, my time is my own.

     Italy is a Roman Catholic country, but to walk around with God you don’t have to be Catholic, Christian, or even affiliated with a religious tradition. You just have to long to find that deepest part of your being, to rest in the Holy, to search for the ineffable, to seek out your true self, to breathe in peace--that kind of thing. I call it longing for God, but pick your own term, or, keep it nameless. God is wherever you want God to be and in what every image or non-image God is for you.

     Visiting churches in Florence isn’t the only way to walk around with God, but it’s a good start. One website lists 71 churches within the confines of this small city, which means that just by wandering a short distance you will come across more churches than you could possibly visit.  Vsiting hours vary, but don’t let that deter you. There are plenty open to fit your schedule.

     Visiting these churches immerses me in my absolute favorite period and place in history, Renaissance Florence. With its blossoming in the 14th century, to full bloom in the 15th, several factors came together: the construction of churches and secular buildings as people migrated to the city; the birth of religious orders; the establishment of a republican form of government; the creation of guilds; the acceleration of trade; the Florentine gold florin as the dominant trade coin in Western Europe; and the rising of the Medici family as a political force and patron of the arts.

     I continue to be amazed at the number of churches and public buildings built or enlarged upon during the tre cento (1300s) as urban expansion continued, religious orders flourished, and the common folk found a voice. Equally remarkable are the artists, poets, and philosophers, who, with the patronage of the Medici, birthed Renaissance Florence during the quattro cento (1400s).

    I start one of my favorite walks with God in the early morning, but any time will do. By 7 A.M. I have begun a walking tour of the foremost churches of Florence built by one of the religious order that flourished during the 13th and 14th centuries. Each one radiates from Santa Maria dei Fiori, referred to as the Duomo, so I usually start out at this epicenter that is the soul of Florence. Regardless of the route I take, I figure I cover about five miles on this two hour city circuit, which includes time to take photos of the facades and to stop for a cappuccino or two.

 Cloisters
   If you want to write outside, rain or shine, a church cloister is a good choice. Although cloisters usually don’t provide benches, I sit on the low wall with my back against a pillar and start writing.
    The cloisters adjacent to San Lorenzo, Santa Maria del Carmine,  Santa Croce, and Santa Maria Novella are among my favorites.

    The Duomo
      Brunelleschi’s Dome has always been my number one inspiration in Florence; it is what draws me back here again and again. Every time I visit I climb the 463 steps to the lantern at the top. I locate my apartment and writing cafes, museums and churches, parks and cloisters, libraries, out of the way places, and all my inspirations.  When I come down, I’m ready to write.